A - Vocal by Ensemble. M-G-M Records – A Division of Loew's Incorporated - Made in . Runouts contain what looks like a small crown or hat with a round top and sides sloped at 45 degrees. Matrix, Runout (Label Side A): 10412-A. Matrix, Runout (Label Side B): 10412-B.
Listen to MICKEY from BLUE BARRON ORCH's Blue Baron Orchestra Gold - Original Vintage Recordings for free, and see the artwork, lyrics and similar artists. Blue Baron Orchestra Gold - Original Vintage Recordings.
Russ Carlyle & Blue Barron and His Orchestra. Jimmie Grier and His Orchestra, Redd Harper, Jimmie Tolson & Ray Hendricks. 6. It's a Wonderful World. Jan Garber and His Orchestra, Fritz Heilbron & Lee Bennett. 7. You'd Be So Nice to Come Home To. Kate Smith.
The Best Album Covers. Universal Energy - Universal Energy. Space Music Lp Album Moog Science Fiction Video Spaceships Robots Ephemera Euro. But he must also deal with the problem of the British Ambassador, whose residence has been seized by a second group of terrorists. Grace Slick - Dreams. A Tourist on Planet Earth.
Harry James And His Orchestra 1948-49 is a double album by American trumpeter Harry James with The Harry James Orchestra. The album consists of live radio transcripts recorded during 1948 and 1949 and was released in 1969 by Big Band Landmarks (Volumes X-XI). As bop surpassed swing by the late 1940s, James was surprisingly open to its influence.
Ambrose and His Orchestra: gli altri album. Saturday Night Stomp with Ambrose and His Orchestra, Vol. 2 Data di pubblicazione: 3 settembre 2015. 1 Data di pubblicazione: 3 settembre 2015. Greats British Dance Bands - Vol. 2 - Ambrose & His Orchestra Data di pubblicazione: 3 settembre 2015. Can't Help Singing Data di pubblicazione: 3 settembre 2015. Ambrose and His Orchestra: i testi più cercati. How Deep Is the Ocean?
The album artwork, designed in the style of the period, includes a written introduction by Princeton University musicologist Simon Morrison, and in his analysis he points out Bitter-Sweet accomplishes what the modernists of the past, in their youthful enthusiasm, could not. Ferry’s music embraces the artifice of art as well as the artlessness of emotion so that the ‘sad affair’ described at the start leads you to ‘break down and cry’ by the end. Thus we are transported to the Berlin of the Tacheles club and the Chamäleon, to the zeitgeist of that jazz-friendly metropolis in the young 20th ce. .