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Harms Way - Posthuman mp3 album

Harms Way  - Posthuman mp3 album
  • Performer: Harms Way
  • Title: Posthuman
  • Genre: Rock
  • Country: USA & Europe
  • Date of release: 2018
  • Music style: Hardcore
  • MP3 size: 1229 mb
  • FLAC size 1866 mb
  • Formats MIDI MMF AAC ADX MP3 DMF MP4

Posthuman is the fourth studio album by the American hardcore band Harm's Way. The album was released on February 9, 2018 and marked the band's first release through Metal Blade Records. Vocalist James Pligge says the album is influenced to a smaller extent by Slipknot, but to a larger extent Triptykon and Machine Head. Harm's Way promoted the album with music videos for "Become a Machine" and "Last Man", and online streams of "Human Carrying Capacity" and "Call My Name".

Album · 2018 · 10 Songs. On their fourth album, metallic hardcore heavyweights Harms Way deliver a vitriolic screed on the dangers of technological obsession, overpopulation, and the cosmic insignificance of the human race.

Harm’s Way. Released February 2, 2018. 1. Human Carrying Capacity Lyrics.

Harms Way - Posthuman (2018). Posthuman (2018) - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Listen online and stay in a good mood. Org Album: Posthuman (2018).

Harms Way however is not a straight-out aggression band, ‘Temptation’ is a track full of haunting echoes and ‘The Gift’ displays the bands diversity as they utilise their Electronic side. Become a Machine’ is bound to be a live favourite with its high-speed aggression matched by plenty of pitting opportunities.

Harms Way's metallic hardcore has won them fans on four continents; their reputation for delivering blistering sets cannot be overstated, and their timely lyrics about struggle, personal growth and self-awareness leave a lasting impression upon any listener. Having grown with each subsequent release, Posthuman, their fourth full-length - and Metal Blade Records debut - is a devastating addition to their catalog. Way fan, I would describe 'Posthuman' as a blend of 'Isolation' (2011) and 'Rust' (2015), but it's sonically way more insane. To anyone else, I would simply say it's full on heavy and full on aggression. It is perhaps surprising, given their vitality, that Harms Way was initially a side project for members of Chicago hardcore crew Few And The Proud.

Tracklist

A1 Human Carrying Capacity
A2 Last Man
A3 Sink
A4 Temptation
A5 Become A Machine
B1 Call My Name
B2 Unreality
B3 Dissect Me
B4 The Gift
B5 Dead Space

Notes

Vinyl presses (all including download card and gatefold cover):
- Highlighter red/orange (limited to 200 copies, USA exclusive)
- White (limited to 1000 copies, USA exclusive)
- Translucent clear w/ white, blue and purple marble (limited to 400 copies, USA exclusive)
- Marble green (limited to 300 copies via Closed Casket)
- Translucent purple/black split (limited to 300 copies via Death Wish)
- White / black marble (limited to 500 copies, EU exclusive) (THIS)
- Transparent violet (limited to 200 copies, EU exclusive)
- Clear “birthday cake” splattered (limited to 200 copies, EU exclusive)
- Milky-clear/blue-green-red splattered (limited to 100 copies, EU exclusive)

Barcode and Other Identifiers

  • Barcode: 039841555714
  • Matrix / Runout (Side A): MB 15557-1 110109-A-3
  • Matrix / Runout (Side B): MB 15557-1 110109-B-3

Other versions

Category Artist Title (Format) Label Category Country Year
3984-15557-2 Harms Way Posthuman ‎(CD, Album) Metal Blade Records 3984-15557-2 USA & Europe 2018
3984-15561-1 Harms Way Posthuman ‎(LP, Album, Ltd, Gre) Metal Blade Records 3984-15561-1 US 2018
3984-15557-1 Harms Way Posthuman ‎(LP, Album, Ltd, Num, Vio) Metal Blade Records 3984-15557-1 Europe 2018
3984-15561-1 Harms Way Posthuman ‎(LP, Album, Ltd, Bi-) Metal Blade Records 3984-15561-1 US 2018
3984-15557-1 Harms Way Posthuman ‎(LP, Album, Ltd, Num, Cle) Metal Blade Records 3984-15557-1 Europe 2018


Comments: (1)
Zieryn
The packaging and coloring of this pressing are stunning, the end of side A and beginning and ending of side B have noticeable noise but the mastering is so much better than on the digital version.
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