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D'Angelo And The Vanguard - Black Messiah mp3 album

D'Angelo And The Vanguard - Black Messiah mp3 album
  • Performer: D'Angelo
  • Title: Black Messiah
  • Genre: Soul & Funk / Blues
  • Country: US
  • Date of release: 2015
  • Music style: Soul, Funk
  • MP3 size: 1362 mb
  • FLAC size 1249 mb
  • Formats MPC AAC MMF RA ADX VQF AUD
D'Angelo Soul Funk 2015 US

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It was released on December 15, 2014, by RCA Records, bringing an end to his 14-year hiatus that followed his 2000 album Voodoo. The album was produced and mostly written by D'Angelo, who collaborated with musicians such as percussionist Questlove, bassist Pino Palladino, guitarist Isaiah Sharkey, and horn player Roy Hargrove.

With this week’s shock release of Black Messiah, soul singer and t D'Angelo, the man music critic Robert Christgau once earnestly dubbed "R&B Jesus," returns with his first album of new material in 14 years.

Album · 2014 · 12 Songs. Black Messiah D'Angelo. Listen on Apple Music.

A great album, but a few tracks seem a little over-produced, like there is just a little too much going on in the background, and it takes away from the amazing vocals. Voodoo is still his best album, but it's nice just to have a new D'Angelo album after all these years. Ответить Уведомить меня Helpful.

D'Angelo and the Vanguard, D'Angelo. Black Messiah clashes with mainstream R&B trends as much as Voodoo did in 2000. Unsurprisingly, the artist's label picked this album's tamest, most traditional segment - the acoustic ballad "Really Love" - as the first song serviced to commercial radio. It's the one closest to "Untitled (How Does It Feel)," the Voodoo cut that, due to its revealing video, made D'Angelo feel as if his image was getting across more than his music

D’Angelo and The Vanguard – Black Messiah Album Zip Download (127,77MB) Songs are compressed with best possible compression by keeping maximum quality possible. Each track has same high quality 320kbps CBR format.

D’Angelo and the Vanguard. Produced by D’Angelo. Back to the Future, Pt. 1 Lyrics. I think this is just being so Carefree and loss (ohh) Its natural Soon at the bar Know what I am saying, its just hard Just whatever the fuck You should just call them a whole lot of simple than that Something simple. Track 6 on D'Angelo’s Black Messiah LP. Written entirely by D'Angelo. What have the artists said about the song? When I wrote it, I envisioned it being the first thing people would hear, because it kind of tells the story of where I’ve been: So, if you’re wondering about the shape I’m in/I hope it ain’t my abdomen that you’re referring to.

Tracklist Hide Credits

A1 Ain't That Easy
Lyrics By – D'Angelo, Kendra Foster, Q-TipMusic By – D'Angelo
A2 1000 Deaths
Lyrics By – D'Angelo, Kendra FosterMusic By – D'Angelo
A3 The Charade
Lyrics By – D'Angelo, Kendra FosterMusic By – D'Angelo, Questlove
B1 Sugah Daddy
Lyrics By – D'Angelo, Kendra Foster, Q-TipMusic By – D'Angelo, James Gadson, Pino Palladino
B2 Really Love
Lyrics By – D'Angelo, Kendra FosterMusic By – D'AngeloWritten-By [Sample], Performer [Sample] – Curtis Mayfield
C1 Back To the Future (Part I)
Lyrics By, Music By – D'Angelo
C2 Till It's Done (Tutu)
Lyrics By – D'Angelo, Kendra FosterMusic By – D'Angelo, Pino Palladino, Questlove
C3 Prayer
Lyrics By, Music By – D'Angelo
D1 Betray My Heart
Lyrics By, Music By – D'Angelo
D2 The Door
Lyrics By – D'Angelo, Kendra FosterMusic By – D'Angelo
D3 Back To the Future (Part II)
Lyrics By, Music By – D'Angelo
D4 Another Life
Lyrics By – D'Angelo, Kendra FosterMusic By – D'Angelo, Questlove

Companies, etc.

  • Phonographic Copyright (p) – RCA Records
  • Copyright (c) – RCA Records
  • Record Company – Sony Music Entertainment
  • Marketed By – Sony Music Entertainment
  • Distributed By – Sony Music Entertainment
  • Published By – Ah-Choo Music Publishing
  • Published By – BMG Bumblebee
  • Published By – Ear Kandy Music
  • Published By – Gadtoon Music
  • Published By – Legendelphia Music LLC
  • Published By – Onip Songs
  • Published By – Songs Of SMP
  • Published By – U Betta Like My Muzik
  • Published By – Universal Music-Careers
  • Published By – Universal Polygram International Publishing
  • Published By – Warner-Tamerlane Publishing Corp.
  • Published By – 12:00 AM Music
  • Recorded At – MSR Studios
  • Recorded At – Hydra SF
  • Recorded At – Henson Recording Studios
  • Recorded At – The Plant Studios
  • Recorded At – Sear Sound
  • Recorded At – Avatar Studios
  • Recorded At – Quad Recording Studios
  • Mixed At – MSR Studios
  • Mixed At – Henson Recording Studios
  • Mastered At – Record Technology Incorporated – 23611
  • Lacquer Cut At – Masterdisk

Credits

  • Arranged By [String Arrangement] – Brent Fischer
  • Art Direction [For], Design [For] – Multiply
  • Art Direction, Design – Afropunk, Exposure America
  • Backing Vocals [Background Vocals] – Ahrell Lumzy, D'Angelo, Jermaine Holmes, Kendra Foster
  • Bass – D'Angelo, Pino Palladino
  • Creative Director [RCA Creative Director] – Erwin Gorostiza
  • Drum Programming – Ahmir "Questlove" Thompson*, D'Angelo
  • Drums – Ahmir "Questlove" Thompson*, Chris Dave, James Gadson
  • Engineer – Ben Kane, Russell Elevado
  • Engineer [Additional Engineering] – Tony Rambo
  • Engineer [Assistant Engineer] – Chris Soper, Justin Garrish, Martin Cooke , Mike Boden, Mike Layos, Nico Essig*, Noah Goldstein, Ricky Begin*
  • Executive-Producer – Alan Leeds, Kevin Liles
  • Guitar, Steel Guitar, Classical Guitar [Nylon Guitar] – D'Angelo, Spanky Alford*, Isaiah Sharkey, Jesse Johnson, Mark Hammond
  • Lacquer Cut By – Alex De Turk*
  • Legal [Legal Representation] – Lena Kasambalides, Paul Rothenberg, Rothenberg P.C.*, Samantha Shipp
  • Management – Alan Leeds, KWL Enterprises, Inc., Kevin Liles, Shelltoe Entertainment
  • Management [Business Management] – Joshua Klein , Keri Weaver, Monarch Business And Wealth Management, LLC
  • Management [Personal Assistant To D'Angelo] – Malcolm Fernando Kee
  • Mastered By – Dave Collins
  • Mixed By – Russell Elevado
  • Mixed By [Additional Mixing] – Ben Kane
  • Photography By – Barron Claiborne
  • Photography By [Live Photography] – Carine Bijlsma
  • Piano, Organ, Keyboards, Synthesizer – D'Angelo
  • Producer – D'Angelo
  • Sitar – D'Angelo, Isaiah Sharkey, Pino Palladino
  • Strings, Woodwind – Alex Budman, Anatoly Rosinsky, Assa Drori, Bill Reichenbach , Chuck Berghoffer*, Elizabeth Wilson , Maurice Grants
  • Trumpet, Cornet, Flugelhorn, Brass, Arranged By [Horn Arrangment] – Roy Hargrove
  • Vocals [Spoken Vocals] – Gina*

Notes

Gatefold sleeve.
Includes eight-page booklet with a download code.

℗ 2014 & © 2015 RCA Records, a division of Sony Music Entertainment. Marketed and distributed by Sony Music Entertainment, 550 Madison Avenue, New York, New York 10022-3211.

A1: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), U Betta Like My Muzic/Songs Of SMP (ASCAP), Ear Kandy Music (BMI)

A2: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), Ear Kandy Music (BMI)
Contains a portion of the audio from the film "The Murder of Fred Hampton" used courtesy of Chicago Film Archives.

A3 and D4: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), Legendelphia Music LLC/Universal Music-Careers (ASCAP), Ear Kandy Music (BMI)

B1: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), U Betta Like My Muzic/Songs Of SMP (ASCAP), Ear Kandy Music (BMI), Onip Songs/BMG Bumblebee (BMI), Gadtoon Music (BMI)

B2: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), Ear Kandy Music (BMI), Warner-Tamerlane Publishing Corp. (BMI)
Contains a sample from "We The People Who Are Darker Than Blue" written and performed by Curtis Mayfield, published by Warner-Tamerland Publishing Corp. (BMI), under license from Warner Bros. Records, Inc. by arrangement with Rhino Entertainment Company, a Warner Music Group company.

C1, C3, D1 and D3: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing)

C2: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), Ear Kandy Music (BMI), Onip Songs/BMG Bumblebee (BMI), Legendelphia Music LLC/Universal Music-Careers (ASCAP)

D2: Published by Ah Choo Music Publishing (ASCAP)/12:00 AM Music (ASCAP) (administered by Universal Polygram International Publishing), Ear Kandy Music (BMI)

Recorded at M.S.R. Studios, Hydra SF, Henson Studios, The Plant, Sear Sound, Avatar Studios and Quad Studios.
Mixed at M.S.R. Studios and Henson Studios.

"No digital "plug-ins" of any kind were used in this recording. All of the recording, processing, effects and mixing was done in the analog domain using tape and mstly vintage equipment for best results. Listen at maximum volume."

Management: Kevin Liles, KWL Enterprises, Inc. and Alan Leeds, Shelltoe Entertainment
Business Management: Joshua Klein and Keri Weaver, Monarch Business and Wealth Management, LLC
Legal Representation: Paul Rothenberg, Samantha Shipp and Lesa Kasambalides, Rothenberg P.C.

"Thanks to Peter Edge, Tom Corson, Jocelyn Cooper, Matthew Morgan, Michelle Ryang, Irene Sourlis, Carolyn Williams, Erwin Gorostiza, Theola Borden, Junko Takada, Annie Meaher, Beth Hawkins, Nat Pastor, Roe Williams, Ashish Chutei, Heathcliff Berru, Scott Mantell, Questlove, Q-Tip, Bill Reeves, Lou Barber, Roxane George, Mark Jenkins, Tina Farris, Cecilia Ramirez, The Vanguard (Past and Present), Little Homey, Dominique Trenier."

Questlove appears courtesy of Def Jam Records. Roy Hargrove appears courtesy of Groove and High Records.

Barcode and Other Identifiers

  • Barcode (As printed): 8 8875-05655-1 8
  • Barcode (Spaces removed): 888750565518
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Matrix / Runout (Side A runout, hand-etched): 88875056551 A RE1 AD 23611.1... Approved by The Dragon
  • Matrix / Runout (Side B runout, hand-etched): 88875056551 B RE1 AD 23611.2...
  • Matrix / Runout (Side C runout, hand-etched): 88875056551 C RE1 AD 23611.3...
  • Matrix / Runout (Side D runout, hand-etched): 88875056551 D RE1 AD 23611.4...
  • Matrix / Runout (Stamped on all runouts): MASTERDISK

Other versions

Category Artist Title (Format) Label Category Country Year
88875-05655-2 D'Angelo And The Vanguard D'Angelo And The Vanguard - Black Messiah ‎(CD, Album) RCA 88875-05655-2 US 2014
none D'Angelo And The Vanguard D'Angelo And The Vanguard - Black Messiah ‎(12xFile, AAC, Album, 256) RCA none 2014
88875056552 D'Angelo And The Vanguard D'Angelo And The Vanguard - Black Messiah ‎(CD, Album) RCA 88875056552 Australia 2014
88875056552 D'Angelo And The Vanguard D'Angelo And The Vanguard - Black Messiah ‎(CD, Album) RCA, Sony Music 88875056552 Europe 2014
88875-05655-2 D'Angelo And The Vanguard D'Angelo And The Vanguard - Black Messiah ‎(CD, Album) RCA 88875-05655-2 Malaysia 2014


Comments: (24)
Whitebeard
A great album, but a few tracks seem a little over-produced, like there is just a little too much going on in the background, and it takes away from the amazing vocals. Voodoo is still his best album, but it's nice just to have a new D'Angelo album after all these years.
Naa
I put this record on and her panties melted right off.
Halloween
What an incredible record, I'm very late to the game with this one, but holy cow, the sound, the pressing quality, and of course, the music, are all as good as it gets. Wow. Just blown away.
Anaragelv
Anyone having problems with the digital download code? I know D'Angelo's addressed this before but looks like the link he last provided is still messing up.
Daigrel
Beautiful Songs! Amazing sound! Very good Mastering – nice work!
Hugighma
Do you have the UK pressing? My US pressing is muddy and terrible sounding.
Nekora
some of the best mastering i've ever heard in a modern pressing. think it was all analog too.
Knights from Bernin
I have the US pressing and it sounds excellent overall...but is quite dense sounding and emphasises the low frequencies. If you have a warm sounding system, I think it could sound 'muddy'....
Jan
Do you have the UK pressing? My US pressing is muddy and terrible sounding.
Yannara
"Notes: No Digital "Plug-ins" of Any Kind Were Used in This Recording. All of the Recording, Processing, Effects and Mixing Was Done in the Analog Domain Using Tape and Mostly Vintage Equipment for Best Results. Listen at Maximum Volume." :-)
Pruster
The album is all analog, but the vinyl was pressed from a hi-def digital master that was copied straight from the tapes. I doubt you'd be able to hear the difference if it were pressed directly from the tapes....I can't image this pressing sounding any more amazing than it already does.
Jark
I dont know...I bought mine in Febraury at Fry's Electronics.
Delirium
Beautiful amalgam of influences refined into a focused style.Great album. Highly accomplished production.
blodrayne
Amazing work!
Thomand
Got the vinyl yesterday 6/3/15 2LP with lyrics booklet. Great work, amazing album.
Wyameluna
released feb 10th? according to my email when i pre-ordered, it comes out march 10th.
Nuadora
Pretty sure the original release date was in February, and then delivery was pushed a month back. I preordered it as soon as it was announced, and then in late January I got an email stating they had to delay it
Clever
It was delayed. The original release date was Feb 10th. Then it got pushed to march 28th I believe. There was also a snowstorm involved. Then it was on the shelves officially- March 10th.
Gavinrage
I own the LP today. So... lol?
Rindyt
The guy at the record shop I go to here in Columbus OH, said they delayed it, and gave no update on a release date. Hopefully soon. I will stop in and get a update later this week.
Doriel
It was pushed back to a unknown date just a week or so before the Feb 10th release date. So march 10th is likely the new release date.
Beabandis
Shame. Still 13 people claiming the own it already. lol
Hugifyn
Likewise...just got the note yesterday that it'd been pushed back to March 10.
Trash
I've since been told May 25th by one London record shop
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