One morning, one morning The sun was shining To mark the day I buried my sword One morning, one morning The world was in motion With the sweet lateness of dancers Yes, I'm learning now Yes, I'm learning now One morning, one morning Like a beggar I went roving With no clear sense of direction And no coin in my cup. And no coin in my cup Wheel of love-you broke me One morning, one morning I came to the mountain There was a sign on every door It's easy now Yes, it's easy now Wheel of love-you broke me. More on Genius. Lateness of Dancers" Track Info
Having jumped to the estimable indie label Merge for their fifth album, Hiss Golden Messenger maintain the full-band sound of their previous album, Haw, with a number of guests joining the core duo of . Taylor and bassist Scott Hirsch. The early comparisons to Will Oldham are now pushed toward the full-on alt-country of Wilco and their likenesses.
Hiss Golden Messenger Plays Elephant Micah Plays Hiss Golden Messenger - Single.
Country Hai East Cotton by Hiss Golden Messenger. Lord I Love The Rain by Hiss Golden Messenger. Poor Moon by Hiss Golden Messenger. Parallelogram by Hiss Golden Messenger. Haw by Hiss Golden Messenger. Bad Debt by Hiss Golden Messenger. Heart Like A Levee by Hiss Golden Messenger. View all albums . Lateness Of Dancers. 5. 6. I’m A Raven (Shake Children). 7. Black Dog Wind (Rose Of Roses). 9. Chapter & Verse (Ione’s Song). More albums from Hiss Golden Messenger: Hallelujah Anyhow by Hiss Golden Messenger. Country Hai East Cotton by Hiss Golden Messenger.
At times Lateness of Dancers may sound too light, but after so many albums made during and about crises of faith, that tone is not unappealing. Taylor invited some of his North Carolina neighbors to back him on these songs, including guitarist William Tyler, brothers Phil and Brad Cook from Megafaun, Mountain Man’s Alexandra Sauser-Monnig, and occasional Messenger member Scott Hirsch. They give the lightness of Dancers a real-stakes feel. It's a much less private record than what came before; in fact, Taylor relishes the company of his fellow Tarheel musicians. I beat my drum, everybody to come running, he sings on closer Drum, a new recording of a song that he first set to tape years ago.
Where most of Hiss Golden Messenger’s work has dealt with themes of redemption, each release felt like a clean slate, songs pursued with a renewed vitality and vigor. Lateness of Dancers, the outfit’s debut for Merge Records, marks another new chapter in Taylor’s quietly constant evolution. Here, he enlists a wide cast of new and longtime collaborators to color the album. Along with Hirsch, who contributes mandolin and pedal steel, Lateness of Dancers finds Taylor reuniting with his now-labelmate William Tyler, whose crunching guitar leads gave Haw its rustic edge.
What did recording in Hillsborough bring to the sessions, and how do you find your environs feed into your work? The last several albums that we’ve made were primarily recorded in non-traditional spaces, either in old houses or barns. There is something aesthetically and artistically appealing about holing up in a place that feels secluded and cut off from clocks
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Album by Hiss Golden Messenger. Day O Day (A Love So Free). I'm a Raven (Shake Children). Chapter & Verse (Ione's Song).